Review
Committee
|
2008 Review Committee
|
Name |
Areas of Expertise |
|
David
Alais |
Adaptation and Aftereffects, Temporal Processing,
Motion, Perceptual Organization, Binocular Vision, Attention |
|
Marty Banks |
3D Perception, Binocular Vision, Multisensory
Processing, Scene Perception, Spatial Vision |
|
Marlene Behrmann |
Object Recognition, Attention, Face Perception,
Perceptual Organization |
|
Irving Biederman |
Object Recognition, Face Perception, Scene Perception |
|
Angela Brown |
Color and Light, Spatial Vision, Binocular Vision,
Methods, Search |
|
David Burr |
Motion, Multisensory Processing, Eye Movements |
|
Marisa Carrasco |
Attention, Spatial Vision |
|
Patrick Cavanagh |
Attention, Motion, Adaptation and Aftereffects, Scene
Perception, Temporal Processing, Binocular Vision |
|
Jody Culham |
Perception and Action, Object Recognition, Neural
Mechanisms, Motion, Adaptation and Aftereffects |
|
Greg DeAngelis |
3D Perception, Binocular Vision, Multisensory
Processing, Motion, Neural Mechanisms |
|
James Elder |
Perceptual Organization, Spatial Vision, Attention, 3D
Perception, Face Perception, Scene Perception |
|
Steve Engel |
Perceptual Learning, Color and Light, Adaptation and
Aftereffects, Spatial Vision, Object Recognition |
|
Jim Enns |
Attention, Face Perception, Perception and Action,
Object Recognition, 3D Perception, Temporal Processing |
|
Karl Gegenfurtner |
Color and Light, Perception and Action, Motion, Eye
Movements, Scene Perception |
|
Mary Hayhoe |
Eye Movements, Perception and Action, Attention,
Memory, Scene Perception, Search |
|
John Henderson |
Scene Perception, Eye Movements, Attention, Reading,
Search |
|
Phil Kellman |
Perceptual Organization, Perceptual Learning, Object
Recognition, Motion, 3D Perception, Spatial Vision |
|
Daniel Kersten |
Object Recognition, Neural Mechanisms, Perceptual
Learning, Perceptual Organization, 3D Perception, Perception and Action |
|
Ruth Kimchi |
Perceptual Organization, Attention, Object Recognition,
Scene Perception |
|
Lynne Kiorpes |
Spatial Vision, Neural Mechanisms, Perception and
Action, Motion, Temporal Processing |
|
Zoe Kourtzi |
3D Perception, Adaptation and Aftereffects, Neural
Mechanisms, Perceptual Learning, Motion, Object Recognition |
|
Margaret Livingstone |
Binocular Vision, Color and Light, Face Perception,
Motion, Object Recognition, Neural Mechanisms |
|
Steve Luck |
Attention, Memory |
|
Ennio Mingolla |
Object Recognition, 3D Perception, Color and Light |
|
Cathleen Moore |
Attention, Perceptual Organization, Scene Perception,
Search, 3D Perception, Perception and Action |
|
Tony Norcia |
Motion, Scene Perception, Binocular Vision, 3D
Perception, Attention, Neural Mechanisms |
|
Aude Oliva |
Scene Perception, Search, Eye Movements, Object
Recognition, Face Perception, Perceptual Organization |
|
Alice O'Toole |
Face Perception, Memory, Motion |
|
Anna Roe |
Neural Mechanisms, Object Recognition, Color and Light,
Methods, Multisensory Processing |
|
Brian Rogers |
3D Perception, Perception and Action, Binocular Vision,
Adaptation and Aftereffects, Scene Perception, Motion |
|
Jeff Schall |
Search, Eye Movements, Attention |
|
James Schirillo |
Color and Light, Multisensory Processing, Eye
Movements, Face Perception |
|
Brian Scholl |
Attention, Perceptual Organization, Memory, Special
Populations |
|
David Sheinberg |
Neural Mechanisms, Object Recognition, Face Perception,
Memory, Eye Movements, Temporal Processing |
|
Daniel Simons |
Attention, Scene Perception, Object Recognition |
|
George Sperling |
Motion, Attention |
|
Christopher Tyler |
3D Perception, Binocular Vision, Motion, Temporal
Processing, Spatial Vision, Adaptation and Aftereffects |
|
William Warren |
Perception and Action, 3D Perception |
|
Takeo Watanabe |
Perceptual Learning, Attention, Adaptation and
Aftereffects, Motion, Perceptual Organization, Neural Mechanisms |
|
Michael Webster |
Adaptation and Aftereffects, Color and Light, Face
Perception, Spatial Vision |
|
Steve Yantis |
Attention, Neural Mechanisms, Search |
The Abstract Review Committee evaluates abstracts
requesting a talk as well as abstracts submitted by students applying for a
Travel Award. Each abstract is scored by two Committee members, who are
suggested by the author and/or a member of the Board. Abstract scoring is completed prior to the
Board Meeting in late January, at which the abstracts are scheduled into talk
and poster sessions.
The Abstract Review Committee is composed of
accomplished visual scientists representing a broad range of specialty areas and
methodological approaches. Members are appointed by the Board to a one-year
term; members may be reappointed. |